Ray's arrangement for the title song was based on the arrangement he wrote for Artie Shaw in 1945.
This CD can be purchased from Amazon. It is also available in a 3-CD set.
Original LP liner notes:
As is almost invariably true, the best way to find out about music is to listen to it, and that is especially so of this dazzling new collection by Ray Conniff and his Orchestra. Striking out along new paths in popular sounds, its distinction, apart from the superior songs it includes, arises from explorations in colorings, textures and improvisation, all impossible to capture in words.
What the talented Mr. Conniff has done with these beloved and familiar melodies is to build forward from them on an orchestral and choral basis, with a free use of percussion as a coloring force as well as a rhythmic one. Moreover, he has taken his chorus and used the singers as instruments in the arrangements; frequently the voices are along with the other instruments, at other times they are off on contrasting lines of their own. The result is a sort of musical dialogue between various voices and choirs of the orchestra as well as the vocal chorus. Improvisation is also present in the instrumental sections, allowing for an even freer interplay of sonic textures. If this sounds technical to some degree, remember that the basic conception of Mr. Conniff's work is the interesting presentation of interesting music: the fine melodies are still there, and just as songful as ever. What he aimed at is an increase in the already substantial interest of the music.
A former student at the Juilliard School of music, Ray Conniff prefaced his studies with ten years of arranging and composing, in addition to a solid career with the trombone. He was born in Attleboro, Mass., where he received most of his early training from his father. After finishing his early schooling he moved to Boston, and began working with various local orchestras, mostly in the "society" category, learning his trade as arranger with these and other, more swinging outfits. In 1936 he shifted to New York and joined the great Bunny Berigan outfit; later he joined Bob Crosby and Artie Shaw, for whom he arranged the Prelude in C-Sharp Minor and 'S Wonderful! among other memorable works. After an interlude in the Army, he continued his studies, and went to work arranging for Harry James. Later still he joined Columbia, arranging and conducting for star vocalists, and makes his album debut with this collection.
Along with the tingling Conniff arrangements may be heard some of the finest musicians in New York, among them Billy Butterfield, Urbie Green, Hymie Schertzer, Osie Johnson, Tony Mottola and others. The result is a collection of unusual musical interest, not only for the songs chosen, but for the far-ranging settings and the uncommon musicianship of the participants. From the introductory title song by George and Ira Gershwin, right through to the Johnny MercerˇHarold Arlen Black Magic, a program of wonderful listening lies ahead.
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